
| Devon Cinema Gazetteer |
| BARNSTAPLE |
| Music Hall ~ Albert Hall ~Civic Hall Queen's Hall ~ Queen's Theatre |
| This fine looking building was built as the Corn Exchange in 1855 in Boutport Street, as part of the large Markets Scheme for the town. The Music Hall was situated on the first floor. The Theatre Royal had closed in 1854 so this new hall became the towns theatre for a while. The hall was redecorated by Owen Davis and renamed Albert Hall with a 3 manual organ installed from Broadgate House, reopening 27.10.1897. The first record of films here was from 19.05.1910 when Oliver Joseph Nicklin, musical instrument dealer obtained a 12 month licence for a non permanent enclosure. There is no further record until 1930 when the Theatre Royal closed to be replaced with the Gaumont Palace. Charles Harmill and Cockrum Castle installed a permanent enclosure and were licenced from 13.03.1930. The licence stated no smoking in the auditorium. The licence passed to Harcourt Cecil Beryl 22.05.1930 & Edward Charles Betty 03.07.1930, expiring February 1931. The building was used on and off as a cinema during the 1930s by Barnstaple Entertainments Ltd using BTH sound. George Henry Joseph Young obtained the licence for the Albert Hall from 11.02.1937 to 10.02.1938. It is believed this operation was associated with the builders of the new Regal cinema, as this operation ceased as soon as the Regal opened. |
| During WWII the Albert Hall continued to be a place of entertainment as the Civic Hall. Disaster struck on the night of 22.11.1941 following a dance, when a discarded cigarette caught the building alight. Fueled by a store of food on the ground floor the entire building was gutted, leaving only the walls standing. A temporary roof was built and for the remaining part of the war the building operated as a British Restaurant. After the war, as part of the Festival of Britain celebrations, Barnstaple Corporation organised a rebuilding. The architect was Mr Bruce W Oliver KRIBA who designed a new ballroom/theatre for the interior of the building. This featured a stage and raked balcony, however the stalls were flat with removable seating for dancing. Reopened by Mayor Clr.FJB Sanders JP as Queen's Hall on 23.03.1952. Seating was provided for 880. The interior was quite plain and very modern in design. The building passed to North Devon Theatres Trust, who employed Burrell, Foley & Fischer architects to modernise the theatre in 1994. These works included new stage and dressing room facilities and adding a rake and fixed seating to the stalls area. The building continues as a theatre today. The building is listed Grade II, with a fine Italianate exterior, which is original to 1855. |
| Visit Applause South West for further information and photograph |

| Gaumont Palace ~ Odeon Classic ~ Astor ~ Central |
| Albany Ward Theatres and Gaumont British Picture Corporation wasted no time in closing and demolishing the Theatre Royal which had stood here. The architect appointed to design the replacement Gaumont Palace was a good choice, William Henry Watkins FRIBA of Bristol. Watkins had already shown himself able to design major cinemas including Provincial Cinematograph Theatres Regent in Bristol, as with the Regent, Watkins used Percy Bartlett to draw up the plans. The site was expanded by the purchase and demolition of the adjoining Kingsley Hotel, who's yard would provide separate front stalls access via an entrance further up the street. Watkins would not have been able to build a tall frontage due to the narrow street the site was situated on, but he could create a fine facade 70' wide using a mix of multicoloured bricks and Portland Stone. The building works were done by McLaughlin & Harvey of London. Four thick columns of brick rise in pairs to support a stone lintel running the length of the facade. Between them are four sets of entrance doors to the foyer which is wide with white & buff Terrazzo paving in rectangular design. Above the doors are a set of four columns in stone dividing the large windows to the circle lounge. The foyer and circle had Columbian wood panelling painted green, the colour scheme was blue-green and honey-gold with ivory tones. At the top of the central two columns are a pair of frightful theatrical masks. The original canopy allowed for a small platform outside the windows and in the past the manager would set up a 16mm projector here to show trailers at night against the white building opposite, possible due to the narrow street. |
| Inside was a large auditorium seating 1124, 702 stalls and 422 in the circle. The auditorium was dominated by a triple layer rectangular proscenium 40' by 26' with cove lighting. The auditorium has a barrel ceiling and concealed colour lighting. Two vomitories enter the circle. The auditorium scheme was honey-gold with reds and greens. The sound system was British Acoustic. The cinema was opened on 03.08.1931 by the Mayor, Mr J T Dunn JP. The first film was Whoopee. The cinema was renamed Gaumont in 1955 and Odeon 21.10.1962. Sold in a batch to Classic 9.12.1967, the cinema was renamed Classic. The circle was blocked off under Classic control to allow bingo in the stalls and films to continue in the circle. The cinema was sold to independent operator Herbert Keene in 1982 and was renamed Astor with 360 seats. Due to the stage and rake of stalls being in situ, the building was listed Grade II. The single screen cinema as well as the bingo operation waned but struggled on into the 1990s. |
| Then Peter Hoare of Scott Cinemas negotiated the purchase of the whole building with the aim of providing a multi-screen cinema for the town. Three new screens were constructed in the stalls, using the original rake and the foyer and lounge (with licenced bar) redecorated along with the circle screen which has been restepped and some seats replaced with luxury Pullman chairs. The building is air conditioned. Plans are being prepared for a fifth screen. The cinema is now open full time as the Central and has become a very popular cinema once again, with films often selling out. This must be a perfect case for showing how a struggling single screen cinema can reverse its fortunes almost overnight by providing more comfort and convenience and choice to its patrons. Seating: Screen 1(circle) 332, Screen 2 ~ 90 seats, Screen 3 ~ 90 seats (both rear stalls) and Screen 4 (front stalls 126) |
| Newspaper adverts: A 'Classic" advert from 1981 and a more recent example |
| Regal |
| Built by Maurice Prince, who operated a number of cinemas in North Devon, the Regal was the main competition for the Gaumont Palace. Situated on The Strand, on the site of the Angel Hotel, the cinema was opened 30.08.1937 by Mayor Capt. S W Slatter. The opening films were The Vulture and Fire over England. The operating company was Regal (Barnstaple) Ltd. Down the side of the building runs Theatre Lane where the Shakespeare Theatre once stood. In operation until 1828, this very old theatre saw Shakespeare and his Players perform on stage. The buildings architects were Orphoot, Whiting & Lindsay FFRIBA. The exterior has a slightly Arabian feel to it. The frontage is dominated by two Egyptian columns behind which were set windows to the circle lounge. This area was lit up at night quite effectively. At the top of the side wings are set urns. Originally these had glass flame shaped light fittings attached, making a real feature of the exterior. The Regal sign was set above the row of five arched openings (also lit from within) at the top of the facade. The canopy featured a sunburst design set under the canopy in neon lights. Three sets of double doors gave access to the foyer. The foyer was straight forward with central doors to stalls, stairs either side for circle and pay boxes set into the side walls. There was trough lighting. The auditorium seated 1,122 in stalls and circle. Very much built as a cinema/theatre (the Gaumont Palace scarcely had a stage) the building had a 20' deep stage with 6 dressing rooms and the proscenium was 30' wide. The sound system was BTH, British Thompson Houston. In the late 1940s the architect David E Nye (who had built the Strand Bideford for the company worked on a refurbishment of this cinema. A canopy, built before WWII but not installed was added to the building and the vitrolite panels on the facade were replaced with shaped tiles. Internally the building was redecorated the foyer ceiling in ivory, with cornice and embellishments in old ivory. The walls were enamel ivory splattered with metallic. Woodwork ebony black, semi-gloss. The auditorium was again ivory with pale blue under the balcony, the dado was in plum with a peach proscenium. Mr Nye redesigned the back stage area creating extra dressing rooms while removing a two storey set of dressing rooms from the side of the stage to create larger wings. This suggests that live shows were an important feature of the Regal's programme, and at this time the Albert Hall had not yet been rebuilt. The ownership passed to Stratford on Avon Picture House Ltd, and closed along with its sister cinema, The Strand, Bideford in 1981. Taken over by James Robertson on 07.05.1981 who also runs cinemas at Launceston and Bognor Regis. The cinema closed for good on 01.05.1982. The building became a nightclub, which it remains today. |
| A 1945 programme for the Barnstaple Regal cinema From: Cinema Theatre Association |

| Gone but not forgotten: Theatre Royal |
| The substantial Theatre Royal in Boutport Street was owned, along with other public buildings in the town by Barnstaple Long Bridge Trust Charity. They had to earn enough from their assets to ensure the good repair of the Barnstaple Long Bridge. The theatre was built in 1834 as the Grecian Hall Theatre, and was remodelled in 1885 by Mr Petter and renamed Theatre Royal. The site had originally been occupied by ancient houses, known as the seven drunkards as their walls leaned out into the street. The earliest record of film in the building is the cinema licence issued from 08.09.1910 on behalf of the Long Bridge Trust. It notes a permanent enclosure (projection box) situated on the outside of the building. The trust tried to establish the theatre as a cinema called Picturedrome at this time with the help of Thomas Henry Tresize. On 14.10.1915 the licence was transferred to Reginald Ernest Watts, and passed to Wallace J Cooke 28.09.1916. The Licence notes films not to be shown on Sundays, Good Friday or Christmas Day. Also that children of school age are to be excluded if the Health Medical Officer closes schools due to epidemic. A lease was agreed for 14 years starting 25.12.1918 with Albany Ward, theatre proprietor of Weymouth. The rent was £150 per annum. The terms of the lease were demanding: "Must redecorate, install a service of radiators for heating the auditorium and will re-seat the whole of the pit and circle of the premises on the most approved modern lines, and will at his own expense. And provide a reasonable number of dramatic companies each year. At the end, yield up said radiators and seating" Perhaps not Albany Wards best deal, but he may well have made these improvements anyway. Having control of the two other cinemas in the town, he needed the Theatre Royal to ensure total dominance. By the time the lease was coming up for renewal, much had changed. Cinemas were now modern and purpose built and Albany Ward Theatres were a subsidiary of Provincial Cinematograph Theatres, in turn a part of Gaumont British Picture Corporation. Although Albany Ward was still in charge, he had a boss, Edmund Albert Crisp, Manager of Albany Ward Theatres, the man who could get the money out of Gaumont British. Albany Ward wrote a letter to the Long Bridge Trust from his Stroud home on 17.03.1928 proposing to buy the freehold of the Theatre Royal for £5,000. Negotiations continued and the sale was agreed 20.06.1930. This was only a few months after Mr Crisp had received a letter from the Justice Clerks Office demanding the closure of the gallery level due to insufficient exits. Whether the Trust knew that Albany Ward intended to pull the building down was not clear, but to Albany Ward there was only one future here, to build a grand new theatre, a Gaumont Palace no less. Closed February 1930. |

| Gone but not forgotten: Picture Palace |
| Located at 2 Silver Street, at the Lion Foundry, this cinema was situated in an old Foresters Hall. The first licence was granted from 12.10.1910 to George Bliss and Leo Bliss. The licence stated that the enclosure (projection box) should be situated outside the auditorium. The licence was transferred to George Doome Poulton on 04.04.1912 and passed to William Alfred Vaughan and Sidney George Vaughan. The operation ceased in 1917 under Frank Bickford. With the opening of the Picture House in a more recent Foresters Hall, in the High Street, the Picture Palace was reopened as The Palace by William Young. The cinema was advertised as "Barnstaple's Cosy Kinema". In turn the operation passed to Wilfred Ernest Jones from 02.01.1919 and by renewal on 10.10.1919 Albany Ward had taken control of the cinema. Albany Ward continued to operate the cinema until closure in 1924. The site is now under the bus station. |

| Gone but not forgotten: Picture House |
| Situated at 58 High Street, this building was also a Foresters Hall. The first operator was Samuel Walford from 26.09.1918, advertised as "a model of up-to-date Picture House". Within 4 months of opening Albany Ward had taken over the operation from 16.01.1919 and continued to operate the cinema until closure in 1924. The building has long been demolished. |
| Newspaper adverts the first in April 1981 noting its closure and the next from May 1981 noting its re-opening |
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| Regal in 1981, courtesy of Stephen Dutfield |